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When I'm playing, I'd rather hear myself acoustically.
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Bluetooth speakers are no good they just add to the lag.
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I just use an iPad Pro with the built-in camera and mic, with some external (wired) speakers, and it's fine for me. A good mic is nice, but the built-in mics in iPads and computers are usually adequate. Crisp video doesn't really matter for music lessons. It doesn't matter if you have a good camera.For bad connections, sometimes logging out and then rejoining the meeting can help.A wired connection to the modem is even better. Wi-fi works better if you are close to the modem.Not all of these adjustments are available on mobile devices.
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You should be able to Google for instructions on how to do these things. The important ones seem to be these: Turn on "Enable original sound," disable "Suppress persistent background noise" and disable "Suppress intermittent background noise." These settings adjustments will eliminate much of the troublesome Zoom sound processing. This problem can be alleviated by changing some Zoom settings.
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Music quality suffers because the software senses music as background noise, and suppresses it, causing the music to cut out. I've found this often to be true even for students living in upscale neighborhoods. Sometimes a neighborhood has spotty quality. This works if you are streaming movies, but internet meetings require good upload speed as well. Home "high speed" internet service usually has good download speed and poorer upload speed. Sometimes this is due to inadequate internet speed.
Zoom sound quality is often very poor.For working on jazz improv, there are plenty of "backing tracks" on Youtube. As a substitute, students can use recorded accompaniments, played on their side of the meeting. Duets and live accompaniment won't work, due to lag time (latency).This is all pretty much common knowledge among teachers these days: Following are a few thoughts about what works and what doesn't in Zoom lessons.įirst, a few technical items. I've been teaching online for about six months now. I'd much rather be teaching in person, but realistically, I know that it will be many more months before it's safe to do so. Like many music teachers, I've switched to Zoom lessons, and I'm thankful that in spite of its imperfections, we have a way to continue to teach.
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The only actual advantage I could see was that with online lessons, both teacher and student could work together from just about any two locations in the world that have internet access - and I didn't need that I've almost always had a full schedule with local students (I still do - I'm not currently taking new students). And who wants to stare at a screen for an entire teaching day? Online lessons can't address those things as well, and online playing does not allow for playing duets, or accompanying in real time. Seeing students in person is better in so many ways: a more real personal rapport, real-world acoustics, the ability to watch embouchure and fingers more closely. Before the pandemic, I was not particularly interested in teaching online. I've been teaching individual saxophone and clarinet lessons since the 1970s. The song was re-titled "Double Rainbow." This new English title referenced the English lyrics.Īlso in 1974, the song was recorded by Jobim and Elis Regina as part of the "Elis and Tom" album, under the name "Chovendo na Roseira." Elis sings the lyrics in Portuguese.ġ980 - Jobim’s album "Terra Brasilis" included the song as an instrumental, arranged by Claus Ogerman, under the title "Chovendo na Roseira." I don't know which of these recordings came first.ġ974 - Sergio Mendes and Brasil ‘77 recorded the song with English lyrics by Gene Lees, a fairly close translation of the Portuguese lyrics. Also in 1971, Luis Carlos Vinhas recorded it with the same title, with the same lyrics. The new title (in English, "Raining on the Rosebush") reflected the theme of the lyrics. July, 1970 - Jobim included it in his album "Stone Flower," again with the title "Children’s Games," and again as an instrumental.ġ971 - Osmir Milito recorded the same song as "Chovendo na Roseira." It now had lyrics in Portuguese, by Jobim.
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